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Fleet Foxes
by Fleet Foxes

Fleet Foxes reviews
Critic Score
Metascore: 87 Metascore out of 100
User Score  
8.6 out of 10
based on 30 reviews
Read critic reviews
How did we calculate this?
based on 87 votes
Read user comments
Rate this album

This is the debut album from the Seattle area quintet.

LABEL: Sub Pop
RELEASE DATE: 03 June 2008
DISCS: 1 disc
GENRE(S): Rock, Indie, Pop

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Delusions of Adequacy
With their self-titled debut, Fleet Foxes have attained this and have delivered one of the best albums of the year.
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100
musicOMH.com
A stunning debut then, and one that will make Fleet Foxes one of the most sought after bands of the year.
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100
The Guardian
It all adds up to a landmark in American music, an instant classic.
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100
Entertainment Weekly
Hushed and wistful, Foxes evokes the itinerant days of yore...you know, before gas cost four bucks a gallon.
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100
Mojo
The sense of wonder in Fleet Foxes' songs is matched only by the discipline and talent that created this adventurous, evocative record. One which is already shaping up as an album of the year. [July 2008, p.98]
90
Under The Radar
Tone is an alchemic process, and Fleet Foxes produce gold with regularity, a stunning feat for such a young band. [Summer 2008]
90
Dot Music
Ironically, though defined sartorially and sonically by this short window in history, the songs on their debut album are mostly timeless. Few better will be released in 2008.
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90
Hot Press
Impressive full length debut from enchanting Seattle-ites.
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90
Prefix Magazine
They deliver on [Sun Giant EP's] five-song teaser's promise and then some with their first full-length, a self-titled gem that already seems set to wind up near the top of any right-thinking person's year-end list.
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90
Pitchfork
What follows is surprisingly full and wide ranging, almost as much as the Bruegel painting that graces the album's cover.
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89
Austin Chronicle
A number of contemporary indie bands attempts to strip-mine mountain ballads in the service of indie pop, but none has melded the impulses as effortlessly and captivatingly as Fleet Foxes manage on "Blue Ridge Mountains" and "Oliver James." Sublime.
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83
The Onion (A.V. Club)
The wilderness goes from breathtaking to sort of boring after a while, but the overall effect is as refreshing as country air.
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80
Billboard
One of the most valuable qualities of good music is its ability to transport you to a moment in your past, a place you'll never see or somewhere that doesn't even exist. Thanks to their gloriously retro (and occasionally eerie) three-part harmonies, Seattle's Fleet Foxes accomplish all the above with their self-titled debut.
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80
Q Magazine
A pure pleasure. [July 2008, p.101]
80
Drowned In Sound
Fleet Foxes doesn’t leave the stereo. Three, four, five times through-–these songs resonate over and over until they stick for good. A sign of a great record: words fail but a feeling remains.
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80
Magnet
Fleet Foxes' full-length debut showcases a gift for folk-adjacent mini-epics that evolve in unexpected directions yet never lose their organic center. [Summer 2008, p.102]
80
Uncut
Like the equally rapturous “Sun Giant” EP which preceded it, Fleet Foxes’ debut album is a fastidious, sometimes overwhelmingly pretty evocation of the American wilderness; a dreamy companion piece to last month’s superb Bon Iver album.
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80
Rolling Stone
A lower-dosage Animal Collective, the Foxes stuff their free-form songs with rich, swirling melodies; billowing clouds of organs, tom-toms, bells and assorted stringed instruments cloak group vocals whose secular-gospel, suede-fringed precision owes plenty to Crosby, Stills and Nash.
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80
Spin
At its best, Fleet Foxes is warm and cathartic, with all the hopefulness of a balmy summer night.
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80
All Music Guide
Throughout the album, the band sounds wise beyond its years, so it's not really that surprising that Fleet Foxes is such a satisfying, self-assured debut.
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80
Paste Magazine
It’s like watching the sun rise over distant mountaintops, over and over, familiar and captivating all at once.
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80
Hartford Courant
Pecknold and guitarist Skyler Skjelset have been writing teenage symphonies to God since they were actual teenagers, and that transcendent love of music shines through in their own songs.
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80
PopMatters
That Fleet Foxes have crafted such a sublime debut less than two years into their existence as a band speaks to their collective pop genius .
Read Full Review
78
Almost Cool
As with many releases like this, I wish the ride were just a little bit more bumpy just to throw off expectations, but nonetheless Fleet Foxes have put out quite an enjoyable little debut here.
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70
No Ripcord
Fleet Foxes is certainly a very good record, but it is kept from greatness by its failure to capture the communal feeling of its excellent, buzz-building live shows.
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70
Dusted Magazine
At times, it sounds as though the band was still working through exactly how they wanted all of the various elements to work together, such that there are some immediate, hook-filled songs (“White Winter Hymnal,” “Your Protector,” “He Doesn’t Know Why”) and other songs whose more complex structures require more from the listener.
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70
Tiny Mix Tapes
Although there is much to like about the album, it can be difficult to differentiate one from another.
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70
New Musical Express
You have to wade through a lot of plaid-shirted, porch-rocking psychedelia before you get there. The patient pilgrim, though, can look forward to unearthing the widescreen Laurel Canyon-birthed wonder of ‘Your Protectors’ after one or two plays.
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70
Blender
None of the album rocks, or gets particularly rootsy. [July 2008, p.72]
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60
Sputnikmusic
There’s a huge promise to Fleet Foxes, one that can’t be ignored, but Pecknold and the rest of the guys haven’t tapped into it yet.
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What Our Users Said

Vote Now! The average user rating for this album is 8.6 (out of 10) based on 87 User Votes
Note: User votes are NOT included in the Metascore calculation.

Gene S. gave it a6:
First of all, drenching vocals in reverb doesn't can't cover up bad singing but the record is nostalgic and innocuous enough to win over some ears. The "Are you Going to Scarborough Faire/Parsley, Sage, Rosemary & Thyme" folksiness of Simon & Garfunkel) and shows that people really still dig baroque choral music. But essentially the combined the overly drenched reverb of the old AM radio sound that My Morning Jacket did on "Z" a couple of years ago. There's also a little freak folk bandwagonesque going on this side of Joanna Newsome. Hopefully Fleet Foxes will slink away quietly and might be able to weather the long haul. As for now, it's the flavor of the month for the indie world.

Mark F gave it an8:
I would rate in higher but the production lets it down, and the harmonies to my ears often seem less than on point. A better producer would not have allowed it to be released in this form.

Jyotirmaya D. gave it an8:
This is a really great album.. it just pulled me in. what i was prepared for was something very indie as they go, but what I was treated to was a beautiful album quite unexpectedly. I can't wait to see the guys live here in Chicago soon.

Gerry B gave it a10:
One of the best albums I've ever heard and I am a massive music fan aged 41. Sublime and profound.

Muh T. gave it a7:
Well put together, but i think it lacks any daring or innovation.

Belle gave it a4:
No no no. Way overrated. It was really... boring. All the tracks sound the same and there's just nothing I loved about it. Bleugh.

Patrick gave it a10:
The most impressive debut I've heard in 15 years or more. This music has reinvigorated a joy for music in me that I haven't felt in the mp3 era.

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